2014. nov. 13.

Did you ever think about what a virtual reality would be today, at your home, in a form realizable and available on any day? Hereby I mean no virtual reality in general but in a specialized form of virtual world that is not separable easily from the real one. I mean it is a virtual environment that can be considered as another world, but it mixes with our current environment. Well, I was thinking about this a lot years ago, and I believe that good (and sometimes bad) ideas can emerge in more than one head worldwide, and in the same time, of course. (For skeptics: Having no scientific explanation for something doesn’t mean that the given thing cannot exist, does it?) This real virtuality idea could be such a thing because Funcom made it and released it summertime, this year – however, the idea had the come up for this years ago, maybe in that time when I was thinking about it too. I can’t remember when had an MMO such an impressive effect on me. Anno the ad of The Secret World was considered special; besides the usual e-mail newsletters they started a Facebook application titled Secret War, in which you had to use your social network to get points and win ingame items, and a closed beta keycode if you reached the maximum. After this I was waiting for the game with the usual mix of disinterest + mild curiosity. I was watching only a few of the trailers, and I paid attention to the big words of advertising only with one eye. Then I got a beta key and started it. Perhaps the first hours will show you no novelty. Seasoned MMO-players can go forward by watching only the quality, which is good enough, 4/5 in the MMO category. So, you start in a city environment with a tutorial, then you make a jump into the Agartha, which is something like a fugue dimension with much shorter distances between locations. The first such location is the town of Kingsmouth, full of zombies. Zombies again, yes? If you can live with this gnawed bone, you may dive into the details that...

The result is mixed somehow. The scale mostly tilts toward the better side, but the flaws are so general that makes them easy and worth to spot and eliminate. The game Star Wars: The Old Republic (SWTOR) passed the exam with good grades, but it is far from being perfect. On December 15th, 2011 they switched the servers of Star Wars Galaxies (SWG) off, but we didn’t have to wait too long, because after some days the successor, SWTOR was released. If you bought it pre-purchased, you could start your adventures sooner. Anyway, this switch-off wasn’t a real problem, because SWG was too complex, empty, unbalanced and annoyingly bugged in the same time. Related to this, the newcomer is much simpler, full of quests, and if you want, you can swing your lightsaber right from the first moments. Does it sound good? Unfortunately, this has its own price too, for example some conventionalism and inconsistency. In the character creation you can choose from four types on each side, be it the Republic or the Empire; this means two Force-user and two more ordinary characters in both case. The developers tried to make them identical by their own main story, which you need to fight through all the way alone. For example, on the Republic’s side the story of the Jedi Consuler is about a strange plague that attacks only Jedis – and it is probably spread by a mighty Sith. On level 10 you can choose an advanced class. Each character has two such options. The system is sufficiently complex to make you think about your choice, even if there are not much unique opportunities, because the characters walk on skill paths set preliminary. In any case, it’s worth to read some skill descriptions, advices and suggestions written by other players on the forums. It seems like we cannot step out of the conception that in any circumstances only the combat can be the foundation of good MMOs. Of course, one can refer to the success of WoW, but I would like to ask: Do we really need a cloned WoW titled Star Wars? Of course, this would be devoid of any sense, and...

2014. Júl. 26.

A strange fashion had evolved in the game industry: Big publishers and developers are making only “products”, while independents are considering the medium of video games as a form of artistic self-expression. Personally, I support this idea, because sometimes we get much cheaper and more enjoyable stuff from the latter than the expensive games of the former. It can be the hand-drew Machinarium, the awfully genial Braid, or the Bastion from the action-adventure genre, the independent developers prove such creativity that big fishes — who are mostly just mining their franchises — can be envy of. The story is simple like a peg: An apocalyptic event named the Calamity smashed the world apart, and only some floating parts remained from it. Our main hero, the Kid awakes on a floating land like that, but soon he finds the only stable point; the Bastion. He is helped by old Rucks — who is, in the same time, the narrator of the game — to collect a splintered energy crystal, the Core, which can physically rebuild the once country, Caelondia. The elders might count on the Calamity, because they made a machine under the Bastion that can produce buildings and landmass by the help of the crystal splinters. Of course, there is more. Two more survivors (Zulf and Zia) turn up, but they came from another country — and there is a diary that tells a lot about what caused the Calamity. To continue the mandatory circle, lets take a look at the background! Seven people + two years = Bastion. The Supergiant Games was founded by two guys who climbed up from the pits of Electronic Arts, because they wanted to try some ideas and anyway, they wanted to do a much steadier work. One of the founders was writing, the other was developing the gameplay, but they needed a musician, an artist, a narrator, another writer and a helping hand in general. They made it frankly, even if there was some people in the team who never met before the release of the game. This is where art begins to grow. The world is fantasy based with a little steampunk tone in the equipment,...

2014. Júl. 26.

American James McGee is an original game designer of our era. Doom and Quake fans can know his name for a time now, but I more like those projects of him which came from his own head. I loved Scrapland, I enjoyed the first part of the Alice series, and although Bad Day L.A. was failed, Grimm seems peculiar enough to worth a try. But here is the second part of the Alice game, and as the title says: Madness Returns. However, 11 years had passed after the release of the first part, and it shows on the game. While American McGee’s Alice mostly just turned Wonderland out and degraded it into an imagined world of a psychotic-schizophrenic little girl, the sequel hits much harder. In the first part Alice defeats her own out-of-control-evil-superego, the Queen of Hearts. After their house was burnt down, Alice literally went mad about loosing her family, and while she withers in an asylum, Wonderland drags her in more and more. But this world is the creation of her own mind, so loosing sanity leads to a horrific version of Wonderland. The sequel begins in the real world. A psychiatrist, Dr. Angus Bumby takes her under his wings and treatment. The girl is professedly blaming herself for the fire, so she cares nothing about the world around – principally because the good doctor tries to erase her memories by hypnosis. Attentive players can observe that too much crazy kids are living at the foundling hospital of Dr. Bumby, and the answer for ‘why is he so interested in the little folk?’ turns out during the game. I wouldn’t like to reveal the twists in the story but I can tell that in Wonderland Alice gradually finds her memories about the night of the fire, and with time she gets to the source of what endangers her personal world of imagination. During the journey she meets typical Wonderlandish characters who are, of course, just as twisted as everything around them. The girl herself is more like a warrior virgin with a gothic appetite than that little uncertain explorer, who walked in the worlds of imagination in the books of Lewis...